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“My Ship Comes In” is the fourth story, a novella, in T.K. O’Neill’s Northwoods Pulp Reloaded collection of three short crime stories and this longer story. Ebook available here.

Behind the leather-covered bar is a bartender, a few beer signs and a lot of bottles. Dory and I have a couple beers and get to talking. Then we get to laughing about things and teasing each other. Things seem to be going well, you know how it is. Once in a while she puts her hand on my arm, real friendly and warm. I buy her a pack of Chesterfields, which she tells me are her “favorite.” But they don’t have them everyplace, so then she has to smoke Winstons. 

     I get the change and realize I’m down to my last five bucks. I have no idea how I’m going to get more. A pang hits my gut. But hey, a fool and his money are soon parted they say, and I’ve just proved it. 

     “We’ve got to go,” I say, suddenly sober.

     “You don’t look so good, Keith,” she says. “Is it me? You can leave me here if you want.”

     “No, it’s not you, Dory. It’s me. I’m down to my last five bucks. But you’re welcome to share it with me.”

     “Cheer up, sweetie, things’ll work out,” she says, turning on the sunshine. “How about I drive? Never driven one of those hippie vans before.”

     “No, I’m all right,” I look in her eyes, still trying to get a read. “I can drive if I can do anything. Problem is I’m just not sure where I should drive to.”

     “Don’t you have people?” she says, eyes wide and bright. “Didn’t you say you were from Clearwater? Why aren’t you going there?”

     “No place to go. Well, that’s not totally true. There are a couple of options. But listen, five bucks isn’t going to get us very far. So what do you say we blow the rest on drinks and then hit the road and see what happens?”   

     “It’s your party, cowboy. I’m only going a little farther down.”

     “Then where? You don’t know either, do you? You’re broke, just like me. You and I were thrown together by the hands of fate. Can’t you see it? There’s meaning in that. You know, what are the odds? Two people find each other in the middle of Nowhere, Florida, and get along famously like you and I do. What are the odds?”

     “You are a dreamer, Keith Elton.”

     “But I’m not the only one.”

     She gives me an appropriate smirk as I order us up two gin and tonics. Now at least we can enjoy our last few moments together. My five bucks turns to one and I leave it for the bartender, who’s done a great job of pretending he wasn’t listening to us. We finish the drinks in a hurry and walk outside into the bright sun and it’s the best I’ve felt for days. I take a deep breath and a premonition that doom is waiting around the corner smacks me and I don’t even care. I have some food in the van and a million dollars’ worth of dope, why should I care? 

     Then I think, What the hell, why not have a snort? Why not enjoy a little of the bounty that’s been dropped into my lap by the gods? I can sneak back there and grab a little without Dory even knowing what I’m doing. And she seems to be the type of girl that might enjoy a little toot herself, like a lot of people these days.

     I wrestle with the idea as we get back onto the highway. I’ve got a craving for the drug and the girl or some twisted combination of the two. After a few long minutes with knots in my stomach and bees in my head, I pull off the road, unable to fight the urges any longer.

     “What’s the matter?” Dory asks nervously.

     “I’ve got a little something in the back that you might enjoy. At least I will. It’ll only take me a minute. Nothing to worry about, I have to get something out of the back.”

     “I wasn’t worried,” she says, “just afraid I was getting dumped.”

     “I wouldn’t do something like that. I just wanted a little toot, that’s all. Thought maybe you might want to join me, take the fuzz out of the booze high.”

     “Are you shitting me? There’s blow in this van? Jesus, I don’t know.”

     “You ever tried it before?”

     She looks around nervously, fidgeting in the sheepskin-covered seat. “Oh yeah, I’ve tried it before. That stuff got my boyfriend killed. This is just too unreal. I run into a dreamboat and he’s into coke, too. I mean, that’s heavy—scares me a little.”

     “Yeah, I suppose. It is scary, I guess. But coke is all over the place these days, especially in this state. It’s hardly rare. I’ve got a little bit in the back and I just thought a toot would be a good idea. Help to bring out the sunshine and ah—well—make it easier to drive. I’m kinda loaded.”

     “Well, honey, so am I. Just high enough to say yes, against my better judgment.”

     I smile and feel the adrenaline crawling up my spine.

     I shut off the engine, get out and walk around to the other side of the van, slide open the side door and get in. Dory is craning her neck around, looking at me and I smile up at her. Then she turns back around, pushes her hair back behind her ear with a snap of her wrist, lights up a Chesterfield and watches the smoke disappear out the window.

     “Could you hand me that mirror from the visor above your head, please, Dory? And there’s a pocketknife in the glove compartment. I need that too.”

     She slides the mirror off the visor and hands it to me. There’s a twinkle in her eye. “You better watch out,” she says. “When I do coke, I get kind of crazy.” Then she reaches in the glove box and brings out the knife.

    “I think I can handle it,” I say, as I crawl on my knees to where the duffel is lying. I loosen the drawstring, reach down until I feel the plastic wrap, pull a brick to the surface and squeeze the contents between my sweating fingers. There’s a catch in my throat. I swallow hard and glance at Dory, who’s staring out the window and twirling her hair with her middle finger. I turn my back to her and make a small incision in the wrapping. My fingers tremble; my mouth is dry and my heart pounds. Somewhere in the back of my mind a voice is screaming, but I don’t want to listen. All I crave is that feeling, that buzz. Now I have enough dope to make it last. This girl and me, together. Life is a party, my wife and son a fading memory. I scoop a small pile of powder onto the mirror and pulsate at the sight. Shining, glittering rocks fall apart and sparkle in the sunlight. I carefully shove the brick back in the duffel and stuff some clothes over it.  I crawl up and set the mirror down on the countertop behind Dory’s seat.

(To be continued)

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“My Ship Comes In” is the fourth story, a novella, in T.K. O’Neill’s Northwoods Pulp Reloaded collection of three short crime stories and this longer story. Ebook available here.

CHAPTER 8

I’m questioning my decision as I throw my stuff into the van. But then I catch sight of Dory standing by the motel office holding an old brown suitcase. She’s wearing a light blue, loose-fitting cotton dress the breeze is pushing against her bra-less nipples, and I quickly shrug off my anxiety as something obviously not related to this lovely moment.

     My heart is beating like a tom-tom as I reach over and unlatch the door. She steps gracefully in and looks at me, eyebrows raised and lips tight together but smiling slightly.

     “Let’s get down the road,” I say.

     “Roll ’em easy, cowboy,” she says, then gets in and sits down and crosses her long, bare legs. The dress slides high up on her buttermilk thighs and all I can do is sigh. She lights up a cigarette and rolls down the window as I swing away from the motel onto the cracked asphalt. 

     The tires slap on spider webs of tar and the road stretches out in front of me, shining in the hot Florida sun. I’m trying to decide what tape to put in to set the mood just right. Bagley’s tapes are limited but I finally find one that seems to fit the moment: Bob Dylan’s Greatest Hits. 

     I jam it in the player. The raunchy, rolling notes come bounding out of the speakers and I know instinctively that I’ve chosen the right tape. Because it’s true, everybody must get stoned.

     Dory’s head bounces softly to the rhythm. It’s a pretty day. The sun is shining and a few large, cottony clouds float high in the searing blue sky. Dylan sings on. The wind blows. She’s just like a woman. 

     Then it finally hits me. I have a million dollars worth of cocaine in the back of the van and I’ve brought a stranger into the mix. Suddenly, my dick shrinks and the skin on my nuts tightens up and, man, do I need a drink. And here it is coming up on noon. Who could blame a person in my situation for stopping to relax his jangled nerves?

     We don’t utter a word until we get to Crystal River, a small village soon to be overrun with development. Dory spots a corner store and asks if I can stop so she can grab a pack of smokes. I suggest we should wait until we find a bar somewhere and then go in and have a beer and a smoke, a little something to take the edge off. And in the meantime there’s a pack of Kools in the glove compartment. 

     She screws up her face and looks at me, eyes narrowed. “You know they put saltpeter in those Kools,” she says. “Like they give to soldiers in the war. You know, so they won’t get horny.”

     “No way. Where’d you hear that one?”

     “It’s true. How many of those do you smoke a day?”

     “I don’t know… not too many.”

     She studies me as I nervously take the pack from the glove compartment and light one up with the dashboard lighter. I smoke about half and then flip it out the window with a snap of my finger.

      “Do you know if Marlboros have saltpeter in them?” I ask, my voice a hoarse whisper.

     “Sure they do. Why do you think the Marlboro Man is always alone?”

     “I see what you mean. So what cigarette do you recommend?”

     “For me, right now, it would be any non-menthol I can get my hands on. Men shouldn’t smoke at all. They should save their energies for other, more important things.” She flashes a knowing glance then blinks nervously and stares out the window. “Oh, all right,” she says. “I’ll have one of those Kools.”

     I’m turning into electrified Jello when I finally spot the all important tavern sign. Sandpiper Lounge. Faded, blue concrete box with a big air conditioner sticking out a side window. “Shall we?” I say like the fly to the spider and point at the fine establishment. “Come on, I’ll buy you a beer.”

     “Why not,” she says.

     I park the van. We get out. The air is hot. We go in the bar.

(To be continued)

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“My Ship Comes In” is the fourth story, a novella, in T.K. O’Neill’s Northwoods Pulp Reloaded collection of three short crime stories and this longer story. Ebook available here.

Then the waitress comes along with a steaming plate and sets it down on the counter in front of Dory Lanigan, who proceeds to tear into it like tomorrow is Judgment Day. Like cigarettes and coffee and sugar packets have been her staples for a while. Five minutes later, she wipes the thick white plate with the last hunk of toast, jams the soggy bread into her mouth and washes it down with orange juice and more coffee, making a slurping noise. 

     Now I’m having the thought that the wise thing to do is to get out from under while I still can. But something in me doesn’t want her slipping away quite yet. I pay the bill. Which leaves me only one wrinkled twenty in my wallet. Elton Kirby’s wallet.

     Keith Elton’s wallet. 

     “Do you need any money, Dory?” I ask anyway, my ‘kind eyes’ looking into her baby blues to see what I can find.

     “I can’t take your money, Keith, after you’ve been so nice to me and all. But if you could give me a ride down the road a-ways, it would help me out a lot.  I’d feel safe with a man that has kind, smart eyes like yours.”

     “Sure, no problem. Where you need to go?”

     “About ten miles south of here, at Crystal River. My car’s getting fixed at a gas station there.”

     “Sounds good. Where you headed after that?” I give her my soulful look.

     “I don’t really know for sure. Might even come back here to the motel. Old lady who owns the place has been letting me crash in one of the rooms in exchange for some cleaning. Guess she got sick of cleaning the lousy little rooms after a million years in a row.”

     “For sure. That must be it. So what’s wrong with your car?”

     “I think they said the timing belt… timing gear… something like that.”

     “Isn’t that an expensive job?”

     Her thin lips curl down at the corners, her blue eyes drenched in pathos and vulnerability. “I don’t know,” she says. “They didn’t tell me. Seemed like nice boys, though.”

     She’s an attractive girl and I’m feeling needy. I can use some companionship. Always been a sucker for a sad-eyed lady. And there’s something real nice about Dory. Also something else, but I can’t quite figure out what that is. Sometimes she seems a little slow but that doesn’t exactly define it. Drifty. Maybe that better describes her. Sometimes I get the feeling we aren’t walking on the same earth. But come to think of it, I get that feeling around most women.

     Now you’re probably thinking it’s crazy to invite a stranger into my vehicle—or should I say Bagley’s vehicle—given what else is in there at the moment, as well as what just happened on the beach. And you’d probably be right. But it seems I just can’t resist a pretty face. The possibility of mystery and adventure in Dory’s melancholy baby blues prove too strong an attractant.

     “You can ride along with me as far as you want to go, Dory. I’ve got a Volkswagen bus and there’s plenty of room. Why don’t you get your stuff and meet me out front of the motel in twenty minutes? I just need to get my things from the room. What do you think?”

     “I think you’re sweet. And I really appreciate this.”

(End of Chapter 7)

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“My Ship Comes In” is the fourth story, a novella, in T.K. O’Neill’s Northwoods Pulp Reloaded collection of three short crime stories and this longer story. Ebook available here.

Then the waitress comes along with a steaming plate and sets it down on the counter in front of Dory Lanigan, who proceeds to tear into it like tomorrow is Judgment Day. Like cigarettes and coffee and sugar packets have been her staples for a while. Five minutes later, she wipes the thick white plate with the last hunk of toast, jams the soggy bread into her mouth and washes it down with orange juice and more coffee, making a slurping noise. 

     Now I’m having the thought that the wise thing to do is to get out from under while I still can. But something in me doesn’t want her slipping away quite yet. I pay the bill. Which leaves me only one wrinkled twenty in my wallet. Elton Kirby’s wallet.

     Keith Elton’s wallet. 

     “Do you need any money, Dory?” I ask anyway, my ‘kind eyes’ looking into her baby blues to see what I can find.

     “I can’t take your money, Keith, after you’ve been so nice to me and all. But if you could give me a ride down the road a-ways, it would help me out a lot.  I’d feel safe with a man that has kind, smart eyes like yours.”

     “Sure, no problem. Where you need to go?”

     “About ten miles south of here, at Crystal River. My car’s getting fixed at a gas station there.”

     “Sounds good. Where you headed after that?” I give her my soulful look.

     “I don’t really know for sure. Might even come back here to the motel. Old lady who owns the place has been letting me crash in one of the rooms in exchange for some cleaning. Guess she got sick of cleaning the lousy little rooms after a million years in a row.”

     “For sure. That must be it. So what’s wrong with your car?”

     “I think they said the timing belt… timing gear… something like that.”

     “Isn’t that an expensive job?”

     Her thin lips curl down at the corners, her blue eyes drenched in pathos and vulnerability. “I don’t know,” she says. “They didn’t tell me. Seemed like nice boys, though.”

     She’s an attractive girl and I’m feeling needy. I can use some companionship. Always been a sucker for a sad-eyed lady. And there’s something real nice about Dory. Also something else, but I can’t quite figure out what that is. Sometimes she seems a little slow but that doesn’t exactly define it. Drifty. Maybe that better describes her. Sometimes I get the feeling we aren’t walking on the same earth. But come to think of it, I get that feeling around most women.

     Now you’re probably thinking it’s crazy to invite a stranger into my vehicle—or should I say Bagley’s vehicle—given what else is in there at the moment, as well as what just happened on the beach. And you’d probably be right. But it seems I just can’t resist a pretty face. The possibility of mystery and adventure in Dory’s melancholy baby blues prove too strong an attractant.

     “You can ride along with me as far as you want to go, Dory. I’ve got a Volkswagen bus and there’s plenty of room. Why don’t you get your stuff and meet me out front of the motel in twenty minutes? I just need to get my things from the room. What do you think?”

     “I think you’re sweet. And I really appreciate this.”

(End of Chapter 7)

ebook only $2.99 – through June 1!

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“My Ship Comes In” is the fourth story, a novella, in T.K. O’Neill’s Northwoods Pulp Reloaded collection of three short crime stories and this longer story. Ebook available here.

I walk over to the diner and everything is eerily the same as the night before, same waitress and the same thin-faced blonde sitting at the far end of the counter. This time I change the scene and sit down with only one faded blue-green stool between the blond and me. I smile at her nicely, and much to my surprise, she gives me a Mona Lisa smile in return. She’s a true country beauty. Shoulder-length blond hair, milky complexion, blue eyes, and a certain kind of softness about her. Daylight has pushed the haunted look out to the edge of her face, revealed only by a slight pinching of the skin. She’s wearing a yellow sleeveless blouse that buttons up the front, faded blue jeans and open sandals with a low heel. Nice rounded rear end. She’s drinking coffee and smoking a Winston, the flattened pack lying next to her white coffee cup and saucer.  

     The waitress comes and pours coffee in my cup and in a couple of minutes, I order. I can’t help but notice two things. One, the girl isn’t eating anything. Two, she keeps looking over at me, the worried look back on her face. I drink some of the coffee and get the urge for a cigarette. More coffee, coupled with the smell of the smoke from the girl’s cig, makes the craving grow stronger. I search my pockets, fidget on the stool for a moment then turn to the blond. 

     “Excuse me, miss,” I say politely. “Could I bum a cigarette from you?  I’m afraid I left mine in the room—and I’m dying for one. Pathetic, eh?” And then, as if someone else is doing the talking: “I tell you what, I’ll buy you breakfast in exchange for a cigarette.”

     The sweet young thing gets up off her stool, moves next to me and hands me the nearly empty pack of Winston’s. I pick it up and slide one out.

     “Thanks a lot,” I say, smiling at her.

     “No problem,” she says, her pursed lips rising slightly on the corners. “And you don’t have to buy me breakfast just for one cigarette.”

     “No, really, I’d love to. I just saw that you weren’t eating and thought I’d offer. In case you ah… in case you needed something to eat or something. Just trying to be friendly. I mean, I saw you in here last night and you didn’t seem to be eating then either. So I thought, well… you might be broke or something. God knows I’ve been in that situation myself enough times. I didn’t mean to imply that—”

     “Slow down, honey,” she says, looking in my eyes and grinning slightly. “You don’t have to explain. You’re a nice guy, aren’t you?”

     “I try to be—but sometimes it’s hard. Where I come from, that’s the way we try to treat people.”

     “And where is that?”

     “Minnesota.”

     “You’ve got kind eyes,” she says. She looks down at her coffee cup, turning it in the saucer with her long fingers. “For someone with eyes like that I can eat breakfast.” She glances over at the waitress, who’s standing with her hand on her hip by the order window. “Mary Ellen, fix me up a steak and eggs with a tall OJ and a side of grits, would you please.”

     “You like those grits?” I ask, trying to grasp what it is about a soggy pile of white slop.

     “Yeah, they’re good for you. I used to eat’em with sugar when I was a kid. So whattaya doin’ in Florida, Mr. Kind Eyes?”

     “I live down in Clearwater.”

     “No shit—excuse my French. Whattaya do there?”

     “Not much. I used to be a tennis pro until I broke my leg.”

     “You must’ve made a lot of money.”

     “No, not really. I was a teaching pro, not a guy like Jimmy Connors or John McEnroe.”

     “You make a habit of buying breakfast for strange women, Mr. Kind Eyes? What is your name, anyway?”

     “Keith. Ah—Elton. Keith Elton. No, I usually only buy breakfast for those I’ve slept with the night before.”

     She gives me a wrinkled up nose and then directs her attention back to the coffee cup. “Well, Keith Elton from Clearwater, by way of Minnesota, pleased to meet you.” She sets down the thick cup and holds out a slender hand, nails bitten down. 

     I shake it lightly.

    “So, what’s your name and where’re you from?” I ask, looking in her eyes and finding myself being drawn in.

     “Dory Lanigan. And I’m from Tennessee by way of Las Vegas.”

     “Now that’s a tough one. So you were born in Vegas?”

     “No, just outside of Knoxville.”

     “Oh, so you moved to Vegas. What brings you to Florida, then?”

     “I had a lot of bad trouble in Vegas,” she says, turning solemn. “My boyfriend was murdered. And my dog, too.”

     “What? You’re kidding me, right?” She shakes her head to the negative. “No? Jesus. Who did all that?”

     “People I’d rather not talk about. Some of my boyfriend’s business associates. I found both bodies in the trunk of my car. Jimmy and Sammy. Sammy was the dog. Couldn’t stay in Vegas after that, so I bought a junker and took off driving as far as my money would take me.”

     “No shit? What did you do with the bodies?”

     “I called the cops and everything, and they came out and hauled the bodies away. That was a couple months ago. After that, I just had to get out of there, y’know? I knew the cops wouldn’t protect me. I knew they knew who did it, but they wanted me to help them. Talk about my boyfriend’s business and shit—and I wasn’t going to say anything, so I ran.  Just couldn’t handle it. Had to get outta Dodge.”

     “They killed your boyfriend and your dog? Jesus.”

     “My boyfriend—Jimmy—was into some things.” She pauses, staring at the coffee cup. “How could anyone kill a nice sweet dog?” She puts her hands to her eyes and sobs briefly, then snaps to as if nothing happened.

     “Yeah. I mean—I don’t know.”

(To be continued)

ebook only $2.99 – through June 1!

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Read Full Post »

“My Ship Comes In” is the fourth story, a novella, in T.K. O’Neill’s Northwoods Pulp Reloaded collection of three short crime stories and this longer story. Ebook available here.

I walk over to the diner and everything is eerily the same as the night before, same waitress and the same thin-faced blonde sitting at the far end of the counter. This time I change the scene and sit down with only one faded blue-green stool between the blond and me. I smile at her nicely, and much to my surprise, she gives me a Mona Lisa smile in return. She’s a true country beauty. Shoulder-length blond hair, milky complexion, blue eyes, and a certain kind of softness about her. Daylight has pushed the haunted look out to the edge of her face, revealed only by a slight pinching of the skin. She’s wearing a yellow sleeveless blouse that buttons up the front, faded blue jeans and open sandals with a low heel. Nice rounded rear end. She’s drinking coffee and smoking a Winston, the flattened pack lying next to her white coffee cup and saucer.  

     The waitress comes and pours coffee in my cup and in a couple of minutes, I order. I can’t help but notice two things. One, the girl isn’t eating anything. Two, she keeps looking over at me, the worried look back on her face. I drink some of the coffee and get the urge for a cigarette. More coffee, coupled with the smell of the smoke from the girl’s cig, makes the craving grow stronger. I search my pockets, fidget on the stool for a moment then turn to the blond. 

     “Excuse me, miss,” I say politely. “Could I bum a cigarette from you?  I’m afraid I left mine in the room—and I’m dying for one. Pathetic, eh?” And then, as if someone else is doing the talking: “I tell you what, I’ll buy you breakfast in exchange for a cigarette.”

     The sweet young thing gets up off her stool, moves next to me and hands me the nearly empty pack of Winston’s. I pick it up and slide one out.

     “Thanks a lot,” I say, smiling at her.

     “No problem,” she says, her pursed lips rising slightly on the corners. “And you don’t have to buy me breakfast just for one cigarette.”

     “No, really, I’d love to. I just saw that you weren’t eating and thought I’d offer. In case you ah… in case you needed something to eat or something. Just trying to be friendly. I mean, I saw you in here last night and you didn’t seem to be eating then either. So I thought, well… you might be broke or something. God knows I’ve been in that situation myself enough times. I didn’t mean to imply that—”

     “Slow down, honey,” she says, looking in my eyes and grinning slightly. “You don’t have to explain. You’re a nice guy, aren’t you?”

     “I try to be—but sometimes it’s hard. Where I come from, that’s the way we try to treat people.”

     “And where is that?”

     “Minnesota.”

     “You’ve got kind eyes,” she says. She looks down at her coffee cup, turning it in the saucer with her long fingers. “For someone with eyes like that I can eat breakfast.” She glances over at the waitress, who’s standing with her hand on her hip by the order window. “Mary Ellen, fix me up a steak and eggs with a tall OJ and a side of grits, would you please.”

     “You like those grits?” I ask, trying to grasp what it is about a soggy pile of white slop.

     “Yeah, they’re good for you. I used to eat’em with sugar when I was a kid. So whattaya doin’ in Florida, Mr. Kind Eyes?”

     “I live down in Clearwater.”

     “No shit—excuse my French. Whattaya do there?”

     “Not much. I used to be a tennis pro until I broke my leg.”

     “You must’ve made a lot of money.”

     “No, not really. I was a teaching pro, not a guy like Jimmy Connors or John McEnroe.”

     “You make a habit of buying breakfast for strange women, Mr. Kind Eyes? What is your name, anyway?”

     “Keith. Ah—Elton. Keith Elton. No, I usually only buy breakfast for those I’ve slept with the night before.”

     She gives me a wrinkled up nose and then directs her attention back to the coffee cup. “Well, Keith Elton from Clearwater, by way of Minnesota, pleased to meet you.” She sets down the thick cup and holds out a slender hand, nails bitten down. 

     I shake it lightly.

    “So, what’s your name and where’re you from?” I ask, looking in her eyes and finding myself being drawn in.

     “Dory Lanigan. And I’m from Tennessee by way of Las Vegas.”

     “Now that’s a tough one. So you were born in Vegas?”

     “No, just outside of Knoxville.”

     “Oh, so you moved to Vegas. What brings you to Florida, then?”

     “I had a lot of bad trouble in Vegas,” she says, turning solemn. “My boyfriend was murdered. And my dog, too.”

     “What? You’re kidding me, right?” She shakes her head to the negative. “No? Jesus. Who did all that?”

     “People I’d rather not talk about. Some of my boyfriend’s business associates. I found both bodies in the trunk of my car. Jimmy and Sammy. Sammy was the dog. Couldn’t stay in Vegas after that, so I bought a junker and took off driving as far as my money would take me.”

     “No shit? What did you do with the bodies?”

     “I called the cops and everything, and they came out and hauled the bodies away. That was a couple months ago. After that, I just had to get out of there, y’know? I knew the cops wouldn’t protect me. I knew they knew who did it, but they wanted me to help them. Talk about my boyfriend’s business and shit—and I wasn’t going to say anything, so I ran.  Just couldn’t handle it. Had to get outta Dodge.”

     “They killed your boyfriend and your dog? Jesus.”

     “My boyfriend—Jimmy—was into some things.” She pauses, staring at the coffee cup. “How could anyone kill a nice sweet dog?” She puts her hands to her eyes and sobs briefly, then snaps to as if nothing happened.

     “Yeah. I mean—I don’t know.”

(To be continued)

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