“My Ship Comes In” is the fourth story, a novella, in T.K. O’Neill’s Northwoods Pulp Reloaded collection of three short crime stories and this longer story. Ebook available here. For all T.K. O’Neill ebooks and paperbacks, shop here.
“There you go, Dory. Have at it.”
“How am I supposed to do this? Where’s the hundred dollar bill?”
“Cute. You’ll just have to scoop some up with the knife or—. Say, ah, why don’t you come around here so nobody can see from the road? We’ll be two tourists stretching our legs.”
“And packing their noses.”
“That too.”
She comes around. I put the mirror on the carpet and we lift little piles of powder to our noses with the knife blade. With this much coke, I’m thinking not snorting it would be like going to Studio 54 without a dick. Just plain sacrilege, man.
So now we’re sitting next to each other, our feet dangling out the side door of the van like two fuckin’ hillbillies. We’re saying nothing and staring at the greenery. My lips and gums are numb and my brain is exploding like a bottle rocket in a fireplace. We stay silent for a long moment, long enough for me to try and think up something to say and not succeed, several times. Finally I turn to her, my nerves jumping: “So, what do you thi—”
That’s all I get out before she jumps at me like a sea bird snaring a dead shrimp, slams her lips against mind and begins probing deeply with her velvety tongue.
I don’t fight back when she puts her hand between my legs and feels the merchandise. In fact I encourage it by demonstrating my growth as a human being, an upstanding citizen to be sure. But just as she crawls on top of me and replaces her hand with her hot, throbbing crotch, a rush of paranoia rips through me like a blast of heat lightning.
Fuck if I don’t push her off me and climb out of the van onto the shoulder. I mean, that’s all I need, getting popped by some bible-belt cop for public fornication. These backwater cops have a way of taking other people’s sins so personally. I’ve got enough coke in the van to keep the discos on Clearwater Beach going for a year or more, and I tell you, that suddenly becomes more than enough for me to handle.
Dory stares at me flabbergasted. She brushes down her dress, which is hiked up and revealing some of the prettiest thigh I’ve ever seen. It’s enough to make you want to cry. “I’m sorry,” I say. “We’re just too close to the road here. The drugs and all… you know what I mean. I just can’t relax.”
She climbs out and grabs my shoulders, starts kissing me again and putting her hand back where I like it. I put my hands on her arms and slowly push her away. “Maybe we can find a better place down the way,” I say. “We can’t stay here.”
The back of my neck is burning as I slide the VW’s door closed and walk around to the driver’s door. Dory climbs in the other side and looks over at me, throws her head back and laughs. I’m not quite sure what to think of the laugh; seems like a hint of mania riding its edge. I start the engine and pull out. My blood is boiling and I’m worried that the moment has passed. Hot beads of sweat plaster my forehead as I shift into fourth gear and put the gas pedal to the floor. I’m thinking I have to find someplace in a hurry or everything will to turn to shit. Cinderella will turn ugly and have to run home.
Somewhere there’s a place for us.
Now I’m bobbing with anxiety, and searching the distance for a road that might lead to some privacy. There has to be a road somewhere. I’ve read a lot of stories in the papers about dead bodies being found on lonely Florida roads. Shit like that must happen all the time down here. I continue rolling along, so lost inside my head that I forget about my speed. My eyes are scanning the distance so much that I overlook what’s right in front of me. I know VW vans don’t go very fast, so it’s not something you usually worry about.
Then my ears pick up a horrible sound.
A siren, closing fast.
(To be continued)
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